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G. Almeida
G. Almeida

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Dec 9, 2020

Los figurines

¿Cómo me veo hoy?, pregunta Sofía, o más bien pregunta el figurín articulado de madera que representa a Sofía. Los lunes, como hoy, son los días de ella y Kennedy, apellido que para ella no guarda ninguna relación con la familia del ex-presidente de los Estados Unidos, pero que sabía…

Fiction

4 min read

Los figurines
Los figurines

Jun 28, 2020

Image-making, Sharing, and Truth in Jocelyn Moorhouse’s Proof (1991)

When I think of photography, or simply, images, I think of eyes — of the act of seeing. It’s an obvious correlation; the analogy of the eye and the lens is not a new one. This connection materialized sometime between the seventeenth and eighteenth centuries as the camera obscura’s popularity…

Film

9 min read

Image-making, sharing, and truth in Jocelyn Moorhouse’s Proof (1991)
Image-making, sharing, and truth in Jocelyn Moorhouse’s Proof (1991)

Mar 17, 2020

Horniness and COVID-19: Cinematic Offerings

Sex is more exciting on the screen and between the pages than between the sheets. — Andy Warhol The biology of anxiety and fear is characterized by an increased response to arousal. A sudden release of adrenaline triggers an abnormal excitation of the nervous system —the pulse rises, senses sharpen…

Movies

7 min read

Horniness in the Time of COVID-19: Cinematic Solutions
Horniness in the Time of COVID-19: Cinematic Solutions
G. Almeida

G. Almeida

perpetual emotion machine in arrested development. probably thinking about movies and nathan fielder.

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